In this set, in the bare light of eternity, human figures are too small for the task for which life conceived them. This is particularly well illustrated by Stef Aerts, who plays a museum employee in grey overalls with a degenerating sense of duty. His folding measuring stick proves too short for the measurements of history. His sledgehammer is too heavy, his ladder too unsteady to cope with the walls of his existence. (...) In this atmospheric, scriptless production, FC Bergman measures up to the greats: the mystical naturalism of Romeo Castellucci, the disconsolate absurdism of Christoph Marthaler, and the dancing dynamics of Pina Bausch. And all that gives Het land Nod visual grandeur.